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Another masterpiece of Barnett Newman destroyed in the Amsterdamer Stedelijk Museum
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New in: What's New Oct./Nov. 97 September 97 August 97 July 97 June 97 May 97 April 97 March 97 February 97 January 97 Winter 96 December 1996 November 1996 |
A very special Advent-Calender
It's christmas season and we have a very old tradition in Germany: the advent-calendar. This calendar has a small window for every day and this calendar helps the children to wait for Christmas Eve. They learn to count and find out, how many days they must wait...
So, to keep this tradition, I wrote a calendar of my own, using a very old picture from my husband's childhood, and I added some christmas carols. Enjoy it! |
I whish you all a very happy Christmas and a happy New Year! And those of you, who celebrate Hanukka, Happy Hanukka!
There are two of the most important works of Abstract Expressionism in the
Amsterdam Stedelijk Museum: Paintings by Barnett Newman.
Barnett Newman: Who is afraid of Red, Yellow and Blue, 1957 © VG Bild Kunst, Bonn, 1997 |
Who is afraid of Red, Yellow and Blue is an art piece, which has a very special meaning for me: through this painting I encountered the power, which can be released by an art piece, for the first time in my life. |
Barnett Newman: Cathedra, 1951 © VG Bild Kunst, Bonn, 1997 |
Unfortunately, this painting keeps it's title not without reason: some people are afraid of it, and some people are induced to destroy it. Not many years ago, a mentally deranged man destroyed it with a knife. He was released from prison (or hospital) now and once more he planned to attack it. He wanted to destroy it a second time, because he thought that he and Barnett Newman had finished this masterpiece together and the restauration was not right.
He came back to the museum and because he couldn't find Who is afraid of Red, Yellow and Blue, as it is not exhibited in the moment, he destroyed Cathedra with his knife.
It is tragic that these works can't be protected and I must admit that I feel hurt personally by this act of vandalism.
I present these works here, because I don't want that these dramatic elements will be forgotten. I am astonished that there is no information about this act of vandalism at the pages of the Stedelijk Museum, Amsterdam.
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